I was fortunate enough to squeeze in one last photo session in 2024 before the calendar rolled into the new year. It was a very simple session, using a rented studio in downtown Portland and sticking mostly to working with natural light, but it was also one of those times when I have a feeling I’m going to like a lot of the work we did over the course of a few hours.

I’m posting three images on this blog entry from the first, and only, roll I’ve developed so far. I’ve got eight more rolls to process that I’m sure I’ll get to over the months ahead.

From a technical perspective, the star player in 2024 for me was absolutely Kentmere ISO 400 black and white film. This is the so-called “budget” black and white film Ilford has been putting out and I have to say it has really surprised me in its quality. It’s almost half the cost per roll as most other film stocks on the market right now and the quality is amazing. All of the images you see here had very strong backlighting and yet it wasn’t difficult at all to soup Kentmere 400 in Rodinal and still retain detail. I plan on working with this film stock for as long as I can find it available. It certainly makes my bank account much happier!

My favorite photo sessions are the ones where it feels like I’m hanging out with a friend and talking about life as opposed to working particularly hard. This was one of those times and I can’t help but smile a bit when looking at the images. I had the camera set up on a tripod due to the low light and we’d snap off a frame, talk and laugh about some odd subject for about ten minutes, only to remind each other to get back to work and maybe take another picture every now and then. This can be the best way to make art sometimes. No real pressure to do anything amazing. Just the comfort of good company and faith that your results will be as authentic as possible.

I feel oddly optimistic about the upcoming year even though given the state of the world I have no logical reason to be. I plan on diving into some serious long term projects that I’m looking forward to sharing but I’m also not putting a huge amount of pressure on myself to get anything done by a certain arbitrary time table.

We’ll see what happens…

Camera: Hasselblad 500c/m mounted with an 80mm Carl Zeiss f/2.8

Film: Kentmere 400 in 120. Developed in Rodinal at 1:50 and 20c for 16 minutes and light agitation.


I support my photography in part with fine art print sales. All prints are limited edition and printed using traditional darkroom techniques on fiber based silver gelatin paper. If you like my work, consider supporting the arts and buying print via my Saatchi Store.

Alexis Kennedy

My name is Alexis Kennedy, welcome to my site! I have a passion for making images wherever and whenever I can. I seek to capture humanity and the world around me with a focus on the figure. Film, digital, pinhole, and instant photography are all fair game for me.


I grew up in the California Bay Area and started taking photography seriously in High School. I was one of the lucky few who had a chance to go to a high school with a working darkroom and a teacher who understood that making images was an art form – care and patience was a necessity in the image making process from start to finish.


Later in life I attended the University of California in Santa Cruz where I received a Bachelors Degree in the History of Art and Visual Culture. After having my fill of the California sunshine I packed up my life and moved to the Pacific Northwest. I quickly found the overcast skies, lush forests, cooler temperatures, and creative communities to be a perfect match for my work.


Over the years I have exhibited my photographs in several galleries and art shows including the Seattle Erotic Arts Festival and Cascade AIDS Project. I’ve published a few books and taught workshops up and down the west coast of the United States. Through this site I’m hoping to share my work and perhaps inspire others along the way.

http://www.alexiskennedyphotography.com
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