Mamiya RZ67

Last Frames With Fuji FP-100c Instant Film

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I woke up this morning thinking about how much I really miss Fuji FP-100c instant film. It is such a shame that Fuji decided this film stock wasn’t profitable any longer because as far as I’m concerned it was the best instant film ever made by a wide margin. Fantastic colors, consistent performance, and a reasonable price always made it a go-to film stock for me.

Photographed with a Mamiya RZ67 and Fuji FP-100c Instant Film

One of my favorite things to do with Fuji FP-100c was to rescue the negative side of the image. Instant film was always designed to give the photographer an immediate positive print, but with Fuji it was easy to keep the negative side as well. All it took was a dab of bleach, a cheap paint brush, and a bit of patience. Simple. In many ways this quality made Fuji FP-100c the cheapest color film on the market because you didn’t have to pay any developing costs to get a negative. How cool was that? Fuji truly had a magical product on their hands and it is such a shame it no longer exists.

Photographed with a Mamiya RZ67 and Fuji FP-100c Instant Film

These images represent some frames from the last pack of Fuji FP-100c I ever exposed. By the time I got around to using it the film was significantly expired so there are a lot of color shifts going on here. I probably shouldn’t have waited so long to expose this pack of film, but once Fuji announced FP-100c was discontinued I became afraid to expose my last few packs on hand. Even with the color shifts, I still like the resulting images. Color shifts have always been part of the fun with any instant film as far as I’m concerned. It’s not about complete accuracy to the original scene.

Photographed with a Mamiya RZ67 and Fuji FP-100c Instant Film

Camera used was my Mamiya RZ67 with an instant film back. I still have the back in the vein hope that someone will pick up where Fuji left off and create a peel part instant film again. I know there is a snowball’s chance in hell that will happen, but hey, I suppose you never know. After all, Polaroid came back from the dead and seems to be going strong and I never thought that would happen either.

Columbia River Gorge with the Mamiya RZ67

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It’s been raining something fierce here in the Portland area for the last few days. I don’t mind so much. I rather like the rain. It gives me a great excuse to curl up on the couch with my laptop, put on some very warm socks, and get caught up on editing images and watching movies. Over the next couple of days I plan on diving into a John Cassavetes box set I bought some time ago and will develop at least three rolls of film.

Photographed with a Mamiya RZ67 and Ilford HP5 film in 120 format.

I often don’t give my landscape photography the attention that it deserves. I’m keenly aware that it is less popular than the art nudes and figure studies and long ago I made my peace with that. That doesn’t mean I don’t enjoy doing it though. Heck, as I get older and more grumpy and have less of a desire to be around people I often enjoy doing it more. Landscape photography gives me the excuse to do something solitary without feeling lonely. There is something rather profound and good about that and I feel lucky to have a hobby that allows me to experience such a state of being.

I dragged my Mamiya RZ67 up a rather steep trail in order to make this particular image. I’m not the most physically active person on earth but I’m certainly not out of shape either. The trail up to this foggy hillside was a series of switchbacks that seemed to take forever, especially considering I had my Mamiya RZ67 with me (not a light camera…) a couple of lenses, a couple of film backs, a tripod, and a healthy amount of water and snacks. I don’t think it helped when you consider that it was a very foggy day and I couldn’t see the top of the hill where I was headed so I had no idea how close or far I was.

As always though, in the end it was worth it.